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Meta's AI Optimism Ad Scored to Bowie's End-of-World Song

TL;DR

  • Meta's new AI brand film transitions from black-and-white shots of panic-inducing AI headlines to color scenes of people embracing, swimming and dancing.
  • The soundtrack is David Bowie's 'Five Years,' a song about humanity learning the Earth will die in a mass-extinction event within five years.
  • Mark Zuckerberg shared the film himself, saying Meta continues to believe 'the future is for everyone' as the company enters its AI wave.

Meta's new brand film for AI opens with an eye reading panic-inducing headlines about artificial intelligence in stark black and white, a voiceover rejecting the doom framing, and then a burst into color: friends embracing, teenagers swimming in a lake, couples dancing on rooftops under a rainbow. The soundtrack, as Wired and TechCrunch both flagged, is David Bowie's "Five Years," a song about humanity learning the Earth will die in a mass-extinction event within five years.

The pairing lit up feeds fast. In a post on X, Rachel Karten summed up the reaction: Meta's AI optimism ad is set to a song about an impending apocalyptic disaster that will destroy earth in five years. The specific passage the film uses repeats the word "people" and, stripped of context, plays as uplift. The lines directly before it describe a news anchor weeping that the earth was really dying and that there were five years left to cry in. Mark Zuckerberg shared the film himself, framing it as Meta's statement that "the future is for everyone."

Why this particular miss matters more than a music-supervision slip. Meta is pitching AI as a warm, human, connective technology at a moment when the loudest public voices on AI have been apocalyptic. A film that says "don't worry" and then bolts a song about extinction to its closing montage is the kind of detail that becomes the whole story. Every share of the ad now travels with the joke attached.

The honest caveat is that the reporting doesn't tell you the interior story. It doesn't say who inside Meta signed off, whether the agency argued against the track, how the licensing was cleared, or whether Meta plans to swap the song. What the coverage does establish, and what a comms lead should take away, is how quickly a single semiotic mistake becomes the caption on an entire AI narrative. For anyone else launching an AI brand campaign this quarter, the lesson is free.

Shared on Bluesky by 2 AI experts